Showing posts with label phil lamarr. Show all posts
Showing posts with label phil lamarr. Show all posts

Tuesday, September 18, 2012

BCC2012 Panel: Spotlight on Phil LaMarr


Panel: Spotlight on Phil LaMarr
(Recorded on Saturday, September 8 at the 2012 Baltimore Comic Con)

There was no moderator for this panel. Phil just answered questions from the audience for an hour.

The audio is broken into two pieces. This was recorded using my iPhone and the audio is less than perfect. It may be necessary to adjust the volume in order to hear everything.

Part 1 (1:18) - Part 2 (51:44)

Saturday, September 8, 2012

2012 Baltimore Comic Con - Day 1


I arrived in Baltimore little later than I meant to but not by much. I was seated at Miss Shirley's and had ordered breakfast by 8:17. Unfortunately it took a while (26 minutes) for my order, Sunrise Benedict, to materialize. I did not short change on the tip but I did point out the deficiency on the customer satisfaction survey.

After breakfast I headed to the convention center. I arrived roughly 20 minutes before the show was due to open. I got my wrist band and got in the line which wrapped halfway around the block at that point. Eventually I got into the convention center. Until noon I wandered the Artists Alley section of the show floor, occasionally stopping to look at artwork and chat with artists. I bought one piece of art: Casper, Spirit of Friendship by Bobby Timony. At noon I left the convention floor for a couple hours.


Panel: The British Invasion (12-1) with (l-r) Mark Buckingham, Robert Greenberger (moderator), Barry Kitson, Brian Bolland


Panel: Spotlight on Phil LaMarr - At the Phil LaMarr panel, which consisted entirely of Q&A, I asked Phil how far back he went with comics and which stories he looks back on nostalgically. In his response he spoke about inheriting a long box of comics from a neighbor or relative when he was very young. He also remembered owning and reading New Teen Titans #1 and Days of Future Past (X-Men #141-142) when he was about 10 years old and sick and how it blew him away. Both panels were a lot of fun.


From 2-4 I walked the floor. I looked for Michel Fiffe. He wasn't listed on the program guide but neither was Sara Richard and I found her table. I'm pretty sure he said he was going to be here when we chatted at Heroes Con. I walked probably 75% of the floor without finding him. I did stop at a few tables as I wandered.

Neil Vokes - I perused his stack of original art. I considered buying a page but I couldn't find one that stood out. I liked them all. I am planning to go back and buy the first trade collection of the horror series he currently works on: Flesh and Blood.

Tom Zahler - I ordered a commission from him of Batman and Kitty Pryde. The color price seemed a little too high for me so I paid him for a black-and-white commission. He said I can still change my mind and get color added tomorrow, if I so desire. I'm thinking about buying a copy of the first trade collection of his web comic, Love and Capes. I've never read it but it is in the same vein as some other books that I often enjoy: books that mix everyday soap opera with superheroes.

Bradd Parton - He does these neat alpha-sketches. He uses all the letters in the alphabet once to create a sketch of a character. I may go back and buy a print or two tomorrow. I asked him about Samurai Jack but he said he wasn't familiar with the show and had never done an alpha-sketch of any character from that show.

Drew Moss - He did a commission for me earlier this year at Heroes Con. It was a color picture of Batman and Wonder Woman sharing a milk shake. I showed him the Caspar piece I picked up earlier in the day and the two sketch cards that Mike Schwartz did for me a couple weeks ago. We chatted about the show a little bit and his con schedule for the year ahead.

Panel: The History of Censorship in Comics with Comic Book Legal Defense Fund (CBLDF) Deputy Director Alex Cox and Comic Book Author and Historian Fred Van Lente - great overview of the subject. For the most part I was familiar with most of the history they covered. When they asked for questions from the audience I asked about Warren Publishing which they had not mentioned at all. Specifically I asked if Marvel had followed Warren's lead in publishing monster magazine, which is what happened. I was a bit concerned that they were giving Marvel and Stan Lee too much credit for bringing back horror books.


I wandered the show floor for a little while after the Censorship Panel. It was considerably less crowded than it was earlier in the day. I was still unable to find Fiffe's table. Maybe tomorrow.

Once again I made a few stops as I wandered.

Tony Fleecs - I really liked some of his prints. I think I'm gonna buy one tomorrow. The ones I liked are mash-ups of pulp novel covers and well known sci-fi and superhero characters like Princess Leia and Wonder Woman. At $10 they are too nice to pass up.

Chris Ryder - I'm very intrigued by his 64-page book, Dames in the Atomic Age, which is a mash up of noir fiction and sci-fi. I didn't want to spend anymore today but I will probably stop by his table and buy a copy tomorrow. It is a little pricey ($9) for a 64-page book but the packaging is really nice.

I left the show floor 10 minutes before it was scheduled to close for the night. I walked a little over a mile to Land of Kush for dinner. I didn't realize it was a carryout place until I got there. Instead of having a sit down meal I walked back to my car with my dinner, drove home, and ate there.

I recorded two of the panels (Phil LaMarr; Censorship) on my iPhone. I missed recording the first few minutes of both panels. The audio is probably going to need to be cleaned up a bit. If and when I get that done I may post them or hand them over to someone else to post on the internet.