Ikigami vol 4: episode 7 - Each collection of Ikigami tells two stories. They are told consecutively, not concurrently. The subject of the first story in this collection is a teacher who was put on administrative leave after being framed by one of his students. His life has fallen apart since the incident. Receiving notice that he is about to die doesn't improve his state of mind and leads to him taking some rather drastic measures in an attempt to set things right.
This series has a lot of potential which I feel that it doesn't always live up to. One of the pitfalls of telling each story in three acts is that there is a limited amount of space that can be devoted to developing the characters. Sometimes there is enough character development to satisfy me and other times there isn't. Episode 7 falls into the latter category. I wanted to like it more but it felt a bit too rushed; I had a hard time buying into how the two main characters, the teacher and the student changed over the course of the story.
Friday, July 30, 2010
Wednesday, July 28, 2010
What I Read - Jul 27, 2010
Mister X vol 2 - I really like the art, the architecture and the overall look of this book. I'm not too wild about the stories. They fall short on my scale. I find them to be very hard to follow. I feel as if I am reading an abridged version of the story. Why? Because there is very little in the way of exposition and many of the conversations seem to be without a beginning or ending. Also people do crazy, violent things with, what seems to me, very little provocation. If there is a rhyme or reason to this story then it didn't speak loudly enough for me to hear it. Nice looking but ultimately I found this collection to be disappointing.
Tuesday, July 13, 2010
What I Read - Jul 12, 2010
1. Mister X v2 by Dean Motter and Seth - I love this comic. I am also confused by it. Maybe confused isn't the right word. Mostly it is the art that grabs me and throws me for a loop. The overall look of the city reminds of mid-20th century travel and propaganda posters. The faces remind me of faces drawn by Hergé in Tintin. The colors are like nothing I've seen recently in a comic book; so dazzling and varied. This book is a real treat for me but probably won't satisfy everyone.
2. Persepolis v1 by Marjane Satrapi - Now that I'm reading it I'm truly disappointed that I waited so long before giving it a try. The artwork is deceptively simple but extremely effective. Satrapi is a masterful storyteller and does a great job mixing in serious and funny moments in the process of recounting her life story. Recommended reading for everyone.
3. Blazing Combat - Printed in beautiful black and white (as was the original) this is a collection of the short-lived series of the same name published by Warren in the mid-1960s. There were no ongoing stories; this is an anthology; most of the stories are 6-8 pages long. A variety of settings are used with most of the stories taking place sometime during the 20th century. Very few of the stories strike me as flag-waving propaganda. Must read for anyone who enjoys old war comics such as Sgt Rock or the ' Nam.
2. Persepolis v1 by Marjane Satrapi - Now that I'm reading it I'm truly disappointed that I waited so long before giving it a try. The artwork is deceptively simple but extremely effective. Satrapi is a masterful storyteller and does a great job mixing in serious and funny moments in the process of recounting her life story. Recommended reading for everyone.
3. Blazing Combat - Printed in beautiful black and white (as was the original) this is a collection of the short-lived series of the same name published by Warren in the mid-1960s. There were no ongoing stories; this is an anthology; most of the stories are 6-8 pages long. A variety of settings are used with most of the stories taking place sometime during the 20th century. Very few of the stories strike me as flag-waving propaganda. Must read for anyone who enjoys old war comics such as Sgt Rock or the ' Nam.
Saturday, June 26, 2010
What I Read - Jun 22, 2010
Last of the Independents - by Matt Fraction and Kiernon Dwyer. I enjoyed it. I like the characters and the plot. Not traditional but nor is it virgin territory. It bears a passing resemblance to some movies that I've seen, Charley Varrick starring Walter Matthau being the first one that comes to mind.
What's it about? A heist. As with most heists nothing ever goes according to plan. The heist itself goes more or less according to plan except that there is considerably more money in the bank than they expected there to be. The crew performing the heist is a trio: Cole, Justine, Billy. Cole is the leader, the brains behind the job. Justine is the muscle, the weapons expert. Billy is the driver, the mechanic, the demolitions expert.
They take the unexpextedly large amount of cash they find, which is, of course, dirty. The cops aren't much trouble to deal with. Its the men who who come after them (after they have dealt with the fuzz) who give them much trouble.
I like Dwyer's art. The book is not colored in the traditional way. It looks like it was penciled, inked, and then coated with a tan colored wash; or at least that's what it looks like to me. For this story that works. It gives it a gritty feel which seems very appropriate.
This isn't the most polished story I have ever read. It seems a bit rushed in places, as if there was more story than there were pages to tell it. That said I really enjoyed it and it was worth the $5 I paid for it at Super Show a few months ago. I wouldn't say that it is essential reading for fans of the genre but I do think that it is worth reading.
What's it about? A heist. As with most heists nothing ever goes according to plan. The heist itself goes more or less according to plan except that there is considerably more money in the bank than they expected there to be. The crew performing the heist is a trio: Cole, Justine, Billy. Cole is the leader, the brains behind the job. Justine is the muscle, the weapons expert. Billy is the driver, the mechanic, the demolitions expert.
They take the unexpextedly large amount of cash they find, which is, of course, dirty. The cops aren't much trouble to deal with. Its the men who who come after them (after they have dealt with the fuzz) who give them much trouble.
I like Dwyer's art. The book is not colored in the traditional way. It looks like it was penciled, inked, and then coated with a tan colored wash; or at least that's what it looks like to me. For this story that works. It gives it a gritty feel which seems very appropriate.
This isn't the most polished story I have ever read. It seems a bit rushed in places, as if there was more story than there were pages to tell it. That said I really enjoyed it and it was worth the $5 I paid for it at Super Show a few months ago. I wouldn't say that it is essential reading for fans of the genre but I do think that it is worth reading.
What I Read - Jun 17, 2010
House of Mystery v1 - I really like the opening collection of the new House of Mystery. I like the art and it isn't just one art team working on this book. Similar to the old House of Mystery series from the 1970's this is an anthology of tales of the supernatural, fantastic, and horrific. The basis for the series is the eponymous House of Mystery where the tellers of the tales reside. The House is located somwhere lost in space and time. The beings (some human, some not) that reside there spend their time drinking and telling stories. None of them know exactly how they got there, how to get back from where and when they came, or how to leave.
The main story of the House and the beings that dwell there begins with the story of its newest inhabitant, Fig. Running from a mysterious couple known as the Conception, the young woman known as Fig steps through a door and finds herself in the House. Like most of its inhabitants she wants but is unable to leave; unlike them she feels a kinship to the House. She claims to know it. All is not revealed in this collection but it certainly whetted my appetite.This back story makes the book more than just an anthology; its dual nature really appeals to me.
I'm not a big fan of horror movies but I do enjoy some horror comics. These are more than just horror stories. Some of the themes and images are grotesque but they are story elements and seem to have been woven into the stories for more than just shock value. There is also a fair bit of humor, although it sometimes (but not always) can be more specifically identified as either gallows or black humor.
I like all the artwork. I really like the radical changes in style and color pallette when the scene shifts from the House to a tale being told by one of its denizens. All in all this is a great book, although probably not everyone's cuppa. If you like stories like Grimm's Fairy Tales or even the old EC horror comics then I recommend you give this collection a try.
The main story of the House and the beings that dwell there begins with the story of its newest inhabitant, Fig. Running from a mysterious couple known as the Conception, the young woman known as Fig steps through a door and finds herself in the House. Like most of its inhabitants she wants but is unable to leave; unlike them she feels a kinship to the House. She claims to know it. All is not revealed in this collection but it certainly whetted my appetite.This back story makes the book more than just an anthology; its dual nature really appeals to me.
I'm not a big fan of horror movies but I do enjoy some horror comics. These are more than just horror stories. Some of the themes and images are grotesque but they are story elements and seem to have been woven into the stories for more than just shock value. There is also a fair bit of humor, although it sometimes (but not always) can be more specifically identified as either gallows or black humor.
I like all the artwork. I really like the radical changes in style and color pallette when the scene shifts from the House to a tale being told by one of its denizens. All in all this is a great book, although probably not everyone's cuppa. If you like stories like Grimm's Fairy Tales or even the old EC horror comics then I recommend you give this collection a try.
Saturday, June 5, 2010
What I Read - Jun 5, 2010
The Other Side - written by Jason Aaron with art by Cameron Stewart. This is a 5-issue mini-series set in Vietnam in1968. The two main characters are both young men, Bill Everette and Bo Vinh Dai, who have enlisted in the military but on opposite sides of the conflict.
The story jumps back and forth between Bill and Vo, with no more than than probably four pages at a time being devoted to either man. The first chapter focuses on their induction into the military. Bill's part of the story follows him through boot camp up until he leaves for Vietnam. Vo's story follows him as he leaves his village and joins the army. From very early on Bill's story has a horrific element to it. He sees has visions of the bloody corpses of Americans who were killed fighting in Vietnam. His rifle starts talking to him, urging him to kill himself or kill someone else.
The horrific elements of Vo's story don't begin to surface until the second chapter. In general he seems like a much more grounded individual than Bill. The gold watch his father gives him, a trophy from Dien Bien Phu, provides him with somethings that Bill lacks, a memento of home and a personal reason for the path he has chosen. In the second chapter as Vo and his compatriots march south toward the front the reality of what he is about to take part in as he meets horribly scarred veterans and sees some of the men in his unit mercilessly left to die when they can no longer go on.
I find this to be a very intense read. The story is about two men on either side of the Vetnam War but it is also, more genrally about how horrific war can be and feel. I started reading The Other Side on the bus ride home one night. That didn't last long. My response to the story and the journey that Vo and Bill embark on was too emotional. I put it down and instead chose to read it on Saturday mornings while I wash my clothes. Its no less public a space to engage the book in, my response is just as emotional but I have more time to read the pictures and words than I did on the commute to/from the office.
Cameron Stewart's art work is cartoony. It gets the job done and then some. I really like it. The coloring work of Dave McCaig also deseves praise. It compliments Stewarts art beautifully.
One thing that impresses me about Jason Aaron's story is that Vo and Bill's stories do not mirror one another. Their journeys both take place in the same environment, at the same time, and eventually their stories intersect but they are not two sides of the same coin except in the most basic of ways: they are both young men forced by law or societal pressures to go to war. At the end of the story one survives the war, the other doesn't. One is left trying to make sense of what happened and search for meaning in it, the other isn't.
The story lacks closure but I think that's intentional. The writer dedicates it to his deceased uncle, who served in Vietnam, on the American side.
The team that created this book is American. There is a serious effort made to tell the story of the other side, the story of a soldier in the North Vietnamese Army. It's tough for me to say how accurate it is. I have no prior first, second, or even third hand knowledge of what that life was like. This is it. My feeling is that ultimately this story is written from the American perspective, even though it also presents a (North) Vietnamese one as well.
Needless to say this is a war story but it isn't a traditional war comic book. It bears no resemblance to the war comics that I used to read at the barber shop when I was a kid. In essensce and presentation this more closely resembles a horror story. I was very moved by it and strongly recommend it to anyone who is intrigued enough to try it. It wasn't an easy read for me but it was well worth my time and money.
This review isn't as cohesive as I would like it to be. It is a collection of thoughts, feelings, and reactions. I need to move on and write about something else, so I'm posting what I've written up to this point. Maybe on some future date I'll write edit, compile, and assemble a more cohesive analysis of this book.
The story jumps back and forth between Bill and Vo, with no more than than probably four pages at a time being devoted to either man. The first chapter focuses on their induction into the military. Bill's part of the story follows him through boot camp up until he leaves for Vietnam. Vo's story follows him as he leaves his village and joins the army. From very early on Bill's story has a horrific element to it. He sees has visions of the bloody corpses of Americans who were killed fighting in Vietnam. His rifle starts talking to him, urging him to kill himself or kill someone else.
The horrific elements of Vo's story don't begin to surface until the second chapter. In general he seems like a much more grounded individual than Bill. The gold watch his father gives him, a trophy from Dien Bien Phu, provides him with somethings that Bill lacks, a memento of home and a personal reason for the path he has chosen. In the second chapter as Vo and his compatriots march south toward the front the reality of what he is about to take part in as he meets horribly scarred veterans and sees some of the men in his unit mercilessly left to die when they can no longer go on.
I find this to be a very intense read. The story is about two men on either side of the Vetnam War but it is also, more genrally about how horrific war can be and feel. I started reading The Other Side on the bus ride home one night. That didn't last long. My response to the story and the journey that Vo and Bill embark on was too emotional. I put it down and instead chose to read it on Saturday mornings while I wash my clothes. Its no less public a space to engage the book in, my response is just as emotional but I have more time to read the pictures and words than I did on the commute to/from the office.
Cameron Stewart's art work is cartoony. It gets the job done and then some. I really like it. The coloring work of Dave McCaig also deseves praise. It compliments Stewarts art beautifully.
One thing that impresses me about Jason Aaron's story is that Vo and Bill's stories do not mirror one another. Their journeys both take place in the same environment, at the same time, and eventually their stories intersect but they are not two sides of the same coin except in the most basic of ways: they are both young men forced by law or societal pressures to go to war. At the end of the story one survives the war, the other doesn't. One is left trying to make sense of what happened and search for meaning in it, the other isn't.
The story lacks closure but I think that's intentional. The writer dedicates it to his deceased uncle, who served in Vietnam, on the American side.
The team that created this book is American. There is a serious effort made to tell the story of the other side, the story of a soldier in the North Vietnamese Army. It's tough for me to say how accurate it is. I have no prior first, second, or even third hand knowledge of what that life was like. This is it. My feeling is that ultimately this story is written from the American perspective, even though it also presents a (North) Vietnamese one as well.
Needless to say this is a war story but it isn't a traditional war comic book. It bears no resemblance to the war comics that I used to read at the barber shop when I was a kid. In essensce and presentation this more closely resembles a horror story. I was very moved by it and strongly recommend it to anyone who is intrigued enough to try it. It wasn't an easy read for me but it was well worth my time and money.
This review isn't as cohesive as I would like it to be. It is a collection of thoughts, feelings, and reactions. I need to move on and write about something else, so I'm posting what I've written up to this point. Maybe on some future date I'll write edit, compile, and assemble a more cohesive analysis of this book.
Thursday, May 20, 2010
1 Town,1 Weekend, 2 Shows
Weird and bizarre. Those are the first words that come to mind when I try to describe the fact that there are going to be 2 comic book conventions in Montgomery County, MD in the same weekend. That would be the weekend of September 10-12, 2010. The cons I am referring to are...
Intervention is new. SPX has been around for 15 years. Both claim to be focused on small, independent creators.
What's the deal with the scheduling? There's nothing about this issue on the SPX web site but the Intervention folks have addressed it in a FAQ on their website. Basically it sounds like at the time they paid for the convention space they didn't know when SPX was going to held and assumed that it would be later in the month since it was for the last couple years.
One of the tag lines on the Intervention website is "Your Life Online, In Person". Their website also makes the case that their focus is on web comics, where SPX mostly is focused on print media. There are already a number of webcartoonists who are scheduled to be exhibiting at SPX. This doesn't invalidate Intervention's description of itself but the waters do seem to be a bit muddy. That's not a good or a bad thing. The two shows are close enough to each other that attendees and exhibitors could easily take part in both shows on the same day.
I'm sure that some people will do just that. Will a significant number of people attend both shows? I dunno. One draw back to having two independent shows on the same day is that you will have to pay seperaqte admission fees to both shows. At the moment Intervention is open for pre-registration although the only option is to purchase a weekend pass for $40, is planning to let people purchase a weekend pass on the day of the show for $45, and has plans to let people purchase single day passes but have yet to announce pricing for that option.
In contrast, SPX traditionally does not allow attendees to preregister. The rates on their web site are $10 for a 1-day pass or $15 for a weekend pass, both of which can only be purchased at the show.
Another difference between the two shows is that Intervention has a message board; SPX has a blog. For the most parts the posts on the message board seem upbeat and hopeful about the show. There is one post from a creator who has already paid to attend SPX asking the Intervention folks to move their show so that she can attend both shows. For the most part there isn't a lot of activity on the boards but the show is still months away.
Based on pricing and past experience alone my perspective as a potential attendee of these two shows is more favorable towards the more established show, SPX. I've attended SPX three times in the past 7 years, most recently last year. I want to attend again. I admit that I'm curious about Intervention but the price seems kind of steep.
Intervention does have some entertainment scheduled but a dance party doesn't sound like my sort of thing. I'm more interested in finding new things to read and attending some panels. I'll keep checking back so see what Intervention has to offer that I can't get at SPX and I might change my mind before the 2nd weekend of September rolls around but for now just planning to attend SPX.
Intervention is new. SPX has been around for 15 years. Both claim to be focused on small, independent creators.
What's the deal with the scheduling? There's nothing about this issue on the SPX web site but the Intervention folks have addressed it in a FAQ on their website. Basically it sounds like at the time they paid for the convention space they didn't know when SPX was going to held and assumed that it would be later in the month since it was for the last couple years.
One of the tag lines on the Intervention website is "Your Life Online, In Person". Their website also makes the case that their focus is on web comics, where SPX mostly is focused on print media. There are already a number of webcartoonists who are scheduled to be exhibiting at SPX. This doesn't invalidate Intervention's description of itself but the waters do seem to be a bit muddy. That's not a good or a bad thing. The two shows are close enough to each other that attendees and exhibitors could easily take part in both shows on the same day.
I'm sure that some people will do just that. Will a significant number of people attend both shows? I dunno. One draw back to having two independent shows on the same day is that you will have to pay seperaqte admission fees to both shows. At the moment Intervention is open for pre-registration although the only option is to purchase a weekend pass for $40, is planning to let people purchase a weekend pass on the day of the show for $45, and has plans to let people purchase single day passes but have yet to announce pricing for that option.
In contrast, SPX traditionally does not allow attendees to preregister. The rates on their web site are $10 for a 1-day pass or $15 for a weekend pass, both of which can only be purchased at the show.
Another difference between the two shows is that Intervention has a message board; SPX has a blog. For the most parts the posts on the message board seem upbeat and hopeful about the show. There is one post from a creator who has already paid to attend SPX asking the Intervention folks to move their show so that she can attend both shows. For the most part there isn't a lot of activity on the boards but the show is still months away.
Based on pricing and past experience alone my perspective as a potential attendee of these two shows is more favorable towards the more established show, SPX. I've attended SPX three times in the past 7 years, most recently last year. I want to attend again. I admit that I'm curious about Intervention but the price seems kind of steep.
Intervention does have some entertainment scheduled but a dance party doesn't sound like my sort of thing. I'm more interested in finding new things to read and attending some panels. I'll keep checking back so see what Intervention has to offer that I can't get at SPX and I might change my mind before the 2nd weekend of September rolls around but for now just planning to attend SPX.
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